Naomi Klein wrote about how older sci fi was so optimistic and how she thinks the current trend of depressing dystopian sci fi is bad for society, which was an interesting take I thought.
I think she’s right. There is certainly a space in fiction for depressing dystopias, but personally, I think that it is also important to make space for hopeful stories about the future. Else it’s just too dark. Our news are depressing, our lives are depressing. Our fiction is depressing. If there isn’t much positive stuff to look forward to, then what’s the point? In the 1930s, 40s and 50s where war and crisis and recovery was on the menu, fiction tended to be more comforting and hopeful.
That’s why Disney’s Snow White was such a massive success in 1937. It gave people a break from their lives and allowed them to dream themselves away to a different world where everything was a bit simpler, where the downtrodden, yet hardworking and kind herione is rewarded for her efforts in the end. Many people may nor have had that happy ending themselves, but it must have given them some hope to watch a film about someone just like them who managed to pull through in the end and have her worth validated.
Herzog said ‘we are running out if images’ and that shit’s real.
Both are saying the fire of our imaginations is dead, and strongly implying that we have forgotten how to even hope.
And, like… We have. We have forgotten how to imagine better, to want better, to build a tomorrow, because tomorrow is on the far side on this raging river of blood that is rapidly flooding, and the time we could have built a bridge is so very long past.
And proposing we switch the terror from white to red for five seconds is a thing you’re not allowed to say.
The vibe I’m getting is “we’re eager and optimistic, but also, things get bad, the larger landscape is kinda bad and we are trying to hold straight faces?”
Naomi Klein wrote about how older sci fi was so optimistic and how she thinks the current trend of depressing dystopian sci fi is bad for society, which was an interesting take I thought.
I think she’s right. There is certainly a space in fiction for depressing dystopias, but personally, I think that it is also important to make space for hopeful stories about the future. Else it’s just too dark. Our news are depressing, our lives are depressing. Our fiction is depressing. If there isn’t much positive stuff to look forward to, then what’s the point? In the 1930s, 40s and 50s where war and crisis and recovery was on the menu, fiction tended to be more comforting and hopeful.
That’s why Disney’s Snow White was such a massive success in 1937. It gave people a break from their lives and allowed them to dream themselves away to a different world where everything was a bit simpler, where the downtrodden, yet hardworking and kind herione is rewarded for her efforts in the end. Many people may nor have had that happy ending themselves, but it must have given them some hope to watch a film about someone just like them who managed to pull through in the end and have her worth validated.
Herzog said ‘we are running out if images’ and that shit’s real.
Both are saying the fire of our imaginations is dead, and strongly implying that we have forgotten how to even hope.
And, like… We have. We have forgotten how to imagine better, to want better, to build a tomorrow, because tomorrow is on the far side on this raging river of blood that is rapidly flooding, and the time we could have built a bridge is so very long past.
And proposing we switch the terror from white to red for five seconds is a thing you’re not allowed to say.
I agree.
you can see it in stories as simple as Star trek.
the after TNG it was about world building and character development.
then the reboot movie happened and it was about booms, zooms, and dooms after that.
the only thing that was remotely similar was season 2 of Picard. I haven’t watched 3 yet so IDK about it.
discovery is(and I mean this in the most platonic way), common TV garbage. I get the same feeling from it as I get from any other modern “syfy” show.
What about SNW?
The vibe I’m getting is “we’re eager and optimistic, but also, things get bad, the larger landscape is kinda bad and we are trying to hold straight faces?”
It feels very 2020s.
I haven’t seen SNW, from what I’ve seen(clips/reviews) it’s probably the most spirited successor to fit todays viewers.